Each one is a trained model with a face in Live. Each can describe what it hears and propose what to change, in Live's own names. Control applies the proposal under one undo step, by your policy.
A fifteen-band EQ. Matches its curve to a reference track, or suggests one from a model trained on what good EQ looks like.
nowA mastering chain, EQ into compressor into limiter, fitted to a reference or set by its own model.
nowDeclip and denoise in real time; a deeper repair for damaged recordings offline.
nowNoise reduction trained on music rather than speech, so it keeps the character of what it cleans.
nowPitch correction and voice conversion, each on its own control, never forced into one mode.
nowTempo-synced delay and reverb.
nowLoudness balancing across channels, into a look-ahead limiter.
nowA plug-in that asks for audio to exist: a part, a variation, a cover, a stem or a removal, from a brief and references you can record live from the track.
nowAsk Control to make a mix warmer and it asks the room. Each instrument that is loaded answers with what it measures and what it would change. You see the proposals; Control applies the ones you allow.
Other makers join the same room. Machine Sounds brings its Guitar Rig and its amp capture. How a maker gets a seat.
Control is the base. The instruments are add-ons: install all of them with Control, or Control alone and add later. They appear in Live under one vendor.